Teens Kids About Contact

Reposted from the Vancouver Actors Guide website. This project looks like a lot of fun — there aren’t a lot of good speaking-role opportunities for actors in the 8-12 range. If that’s you, get on it! -Michael Bean, Head Coach | Biz Studio

MARION BIGSBY: Prince of Darkness
Independent Film (non-union)

Production Company Winter Pictures
Producer(s) Piper Mackenzie
Director(s) Sean MacPherson
Casting Director Sean MacPherson

Audition Date(s) Early january
Call Back Date(s) asap
Audition Location Cineworks

Shoot / Perf. Dates second weekend in January.
Shoot / Perf. Location Vancouver
Compensation / Rates invaluable experience in Vancouvers hottest up and coming film company

SUBMISSIONS: send headshot and CV to “O’doyle rules”

Biz Studio [[Classes for Young Actors]] in Vancouver BC

Reposted from the Vancouver Actors Guide website. I don’t judge ‘em, I just repost them. I don’t know how professional this production is, I’d love to hear back from anyone who submits themselves about their experience. Either send an email or post a comment. Cheers! -Michael Bean, Head Coach | Biz Studio

SHOW-OFF
Television (non-union)

Production Company Novus Entertainment Inc.
Category TV Talent Show
Audition Date(s) Begining December 2006
Compensation / Rates Television Exposure/Volunteer

SUBMISSIONS: Email pics and info to roddy.ouano@novusnow.ca anytime before March 2007.

DESCRIPTION: SHOW-OFF, Talent Television Show looking for Talented Individuals. Do you have an amazing talent? Looking for somewhere to showcase your skills? Ever dreamed of being on television? If you answered yes to any of these questions, then this opportunity is for you.
Beginning in January 2007, SHOW-OFF, a new and exciting talent television show, will start airing on a downtown Vancouver Television Network. From dancers to singers, magicians, mimes, and contortionist, SHOW-OFF will give you your chance to show your stuff on television. Applications are starting now, so no matter what your talent may be, make sure you contact us for your chance to showcase your skills on SHOW-OFF!!

Biz Studio [[Classes for Young Actors]] in Vancouver BC



This is reposted from the Vancouver Actors Guide website. They’ve been casting for a couple of months now, and seem to be having trouble finding the right kids & teens. -Michael Bean, Head Coach | Biz Studio [[Classes for Young Actors]] in Vancouver BC

Someones Son

Independent Feature Film (union)

Production Company JB Productions @ Ten Pluds Productions
Audition Date(s) Jan and Feb 2007
Audition Location Vancouver BC, Canada

Shoot / Perf. Dates July 2007
Shoot / Perf. Location Vancouver BC, Canada
Compensation / Rates to be worked out with principals

SUBMISSIONS: Send hardcopy of pics and resume/information to “JB Productions, Suite 842, 104-1015 Columbia Street, New Westminster, BC V3M 6V3″ by December 31st, 2006. No drop-offs, mail only (drop-offs will go into the trash).

STORYLINE: This feature-length motion picture is a film about a undercouver policemen from Seattle working in Vancouver whose job it is to become friends with one of the street boys that work for Chips in order to close down Chips prositution and drug business.

CRAIG
Male, 15-16. Craig is the lead teen role(street boy) some football skills.

Chris
Male, 14-15. Chris is the supporting teen role (street boy)

Brad
Male, 15-16. Speaking part street boy.

Peanuts
Male, 14. Speaking part street boy.

Keven
Male, 14. Football skills.

Alan
Male, 16-17. Street boy.

Extras
Male, 14-17. Street boys.

I got an email today asking “Will film school help my career?” Here are my thoughts on that:

Film school DOES help you become a better actor.

So will any full time acting program, because any program where you’re devoting 100% of your time to study and practice will help you be a better actor. Think carefully about what your goals are when you decide on a program, because full-time programs can be very expensive. In the beginning you won’t make much money as an actor, so don’t go $30,000 in debt unless you have a clear plan. Do you want a degree? Go to a university. Do you want to do theatre? In Vancouver, go to Studio58.

Film school DOES NOT help you get auditions.

If you’re enrolling in film school to “launch your career,” think again. Casting directors probably won’t even notice where you went to school when they look at your resume. They’ll spend 20sec looking at your headshot, and 10sec looking at your resume. If your goal is to work professionally in Vancouver, the best thing you can do is enroll in one or more part-time professional classes, or get some private coaching. You can find a list of the training in Vancouver on the Vancouver Actors Guide. For kids and teens I recommend Biz Studio, and for adults Shea Hampton. But there are lots of options.

The advantages of taking a part time professional program.

The part-time route takes more self-confidence, and more self-motivation, but it makes you available to take auditions immediately. And it’s much less expensive–especially if you can find flexible shift work (like a restaurant job, for instance) while you’re studying and auditioning. Look for classes that are already full of working actors–unlike film school, you’ll learn as much from the other actors in a professional class as from the instructor. After a few months of classes, get some good headshots and go looking for an agent. Wait until you’re ready to audition, because you’ll get some good auditions at first and you want to be ready to take advantage of being a “new face”. It’s harder when it’s not packaged-up for you like it is in full-time programs, but you’ll get a lot more out of it.

-Michael Bean, Head Coach | Biz Studio [[Classes for Young Actors]] in Vancouver BC



Making Faces at Al De Silva

This morning I had an SOC audition, mostly making faces at Al De Silva. I loved it. Al’s probably in his late 20’s or early 30’s, he’s got a great laugh, and usually he likes to joke around. Mostly he casts commercials.

“SOC” stands for Silent On Camera, and it’s used to mean any audition where the actor doesn’t have to talk. In this case it’s an insurance commercial, but it could be anything. SOC roles are mostly for commercials, you know “guy eating ice cream” or “girl with flowers” or “boy walking dog” and that sort of thing.

The audition usually plays out one of two ways. Either (a) they get you to act out a script with no talking or (b) they just get you to come in and talk about yourself. This one was (a), so here are some basic rules of thumb when you get this kind of audition. Usually the scripts are short, just one or two pages, and are mostly reactions to things happening.

i. Don’t say anything on camera. It will be very tempting to use words, but don’t. They want to cast someone who can hit the right note without saying anything, because they’re shooting the commercial without dialogue.

ii. Practice your reactions before you’re in the audition room. If you had lines you’d practice them, wouldn’t you? So even though these SOC auditions seem simple, you should know what your face is doing because that’s mostly what the camera is watching. Spend some time making faces at yourself in a mirror–go through the script and practice your reactions so you’ll know what’s “too much” and what’s “not enough”. Otherwise you might end up like I did once in an audition with Sandi Neilson, her yelling “No! More confused! I want you to look more confused!” and me thinking I was already about as confused as I could get. But I hadn’t quite figured out how to make it show on my face because I didn’t spend any time practicing. Needless to say I didn’t book that one ;)

-Michael Bean, Head Coach, Biz Studio

Biz Studio [[Classes for Young Actors]] in Vancouver BC

Here’s the first excerpt from the 2nd Edition of “Confidence on Camera.” Feedback appreciated. Thanks! -Michael Bean, Head Coach, Biz Studio

ACTING & LYING

What is the difference between acting and lying?

Think about it for a minute—it’s not as easy as it sounds. Here are a couple of common answers:

a) Audiences know that acting isn’t “real.”

Do they? In film and television, you want the audience to care about the character. If the film or tv show is really good, you forget that you’re watching actors and you start watching the character instead. Have you ever had a conversation about a TV character like they were a real person? Have you ever watched “reality” TV? The illusion with any kind of acting is that we’re watching a slice of life—it may be exaggerated, or very different from our own life, but we’re looking for that “real” experience.

b) Liars are always themselves; actors play someone else.

Think about this: when you change the way that you talk or act around a person, is that a lie? You’re just showing a different side of yourself or a different part of your personality. Do you talk to your parents the same way you talk to your friends? What about to your grandparents? A teacher? A police officer? Chances are that you change the way that you talk, the things you say, even the way that you sit or stand (your “body language”). When you make those changes bigger it becomes what actors call “playing a character.” So actors can play themselves—in fact many talented actors start by playing a character very much like themselves on film or television. More experienced actors can play very different characters.

c) Actors “feel” the emotion—liars are just “pretending” by “faking” the emotion.

It’s true that a really good liar can fake an emotion. Think of that girl in elementary school who could fake tears and have all the adults convinced. It’s difficult, but it can be done, and some people get very good at it. That’s what makes a good liar—whatever they’re feeling looks “real” on the outside.

It’s also true that a really good actor can “feel” a character’s emotions as written in a script. The tears in a sad scene are real for the actor, the anger in a scripted fight makes their body shake and their heart pound just like the real thing. That’s what makes a good actor—whatever they’re feeling is “real” on the inside.

d) So there is no difference—they’re the same thing.

I’m afraid it’s not quite as simple as that. Some actors are quite open about the fact that they never “feel” a thing—they are just extremely good at making it look like they do. And if you ever tell a lie and really commit to it, you’ll find that sometimes the feeling happens all by itself even though you’re just “faking”.

The real answer is that to be an actor needs to be flexible.

A good actor needs to develop a range of skills that include some “feeling,” some “faking” and everything in between. The important thing is that your acting both looks real and feels real—how you get there is up to you (whatever works!).

Biz Studio [[Classes for Young Actors]] in Vancouver, BC

Okay, I’m a bad blogger and I’ve been away for a month.  I’m working on the next draft of the “Confidence on Camera” handbook for young actors–this draft should clock in around 150pages of camera technique, acting technique and insider info on the Vancouver film industry.

You can find an excerpt from the last draft here

I’ll be posting bits and pieces of the new draft here, and I’d appreciate your feedback. All the best! -Michael Bean, Head Coach, Biz Studio

Biz Studio [[Classes for Young Actors]] in Vancouver, BC

Fall Semester Sept-Nov’10 Registering Now
Age 5-7
Age 8-11
Age 12-17

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Confidence on Camera Handbook

Download “Confidence on Camera”
50 pages of info:
agents, auditions,
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